Artworks

  • Eduardo Paolozzi, Secrets of the internal combustion engine, 1967
    Eduardo Paolozzi, Secrets of the internal combustion engine, 1967
  • Eduardo Paolozzi, Cover for a Journal, 1967
    Eduardo Paolozzi, Cover for a Journal, 1967
  • Eduardo Paolozzi, Ernie & TT at St Louis Airport, 1967
    Eduardo Paolozzi, Ernie & TT at St Louis Airport, 1967
  • Ben Nicholson, Chapel in Greece, 1967
    Ben Nicholson, Chapel in Greece, 1967
  • Eduardo Paolozzi, Formica-Formikel, 1967
    Eduardo Paolozzi, Formica-Formikel, 1967
  • Bridget Riley, Untitled (Winged Curve) , 1966
    Bridget Riley, Untitled (Winged Curve) , 1966
  • Richard Hamilton, My Marilyn, 1965
    Richard Hamilton, My Marilyn, 1965
  • Bridget Riley, Untitled (Fragment 1) , 1965
    Bridget Riley, Untitled (Fragment 1) , 1965
  • Bridget Riley, Untitled (Fragment 7) , 1965
    Bridget Riley, Untitled (Fragment 7) , 1965
  • Bridget Riley, Untitled (Fragment 5) , 1965
    Bridget Riley, Untitled (Fragment 5) , 1965
  • Bridget Riley, Untitled (Fragment 2) , 1965
    Bridget Riley, Untitled (Fragment 2) , 1965
  • Bridget Riley, Untitled (Fragment 6) , 1965
    Bridget Riley, Untitled (Fragment 6) , 1965
  • Bridget Riley, Untitled (Fragment 3), 1965
    Bridget Riley, Untitled (Fragment 3), 1965
  • Bridget Riley, Untitled (Fragment 4), 1965
    Bridget Riley, Untitled (Fragment 4), 1965
  • Bridget Riley, Untitled (La Lune en Rodage), 1965
    Bridget Riley, Untitled (La Lune en Rodage), 1965
  • David Hockney, Edward Lear, 1964
    David Hockney, Edward Lear, 1964
  • Bridget Riley, Untitled (Based on Blaze), 1964
    Bridget Riley, Untitled (Based on Blaze), 1964
  • Peter Lanyon, Walls and Fields , 1963
    Peter Lanyon, Walls and Fields , 1963
  • Bridget Riley, Untitled (Based on Movement in Squares) , 1962
    Bridget Riley, Untitled (Based on Movement in Squares) , 1962
  • Bridget Riley, Untitled (Circular movement) , 1962
    Bridget Riley, Untitled (Circular movement) , 1962
  • Bridget Riley, Untitled (Based on Primitive Blaze) , 1962
    Bridget Riley, Untitled (Based on Primitive Blaze) , 1962
  • Claes Oldenburg, Orpheum Sign, 1962
    Claes Oldenburg, Orpheum Sign, 1962
  • Euan Uglow, Wine Glass, 1960
    Euan Uglow, Wine Glass, 1960
  • Euan Uglow, Stilton, 1960
    Euan Uglow, Stilton, 1960
  • Prunella Clough, Man in a Chemical Works , 1959
    Prunella Clough, Man in a Chemical Works , 1959
  • Roger Hilton, Untitled , 1959
    Roger Hilton, Untitled , 1959
  • Alexander Mackenzie, April - May, 1959
    Alexander Mackenzie, April - May, 1959
  • Euan Uglow, Pig's Head, 1959
    Euan Uglow, Pig's Head, 1959
  • Kenneth Martin, Alphabet 2, 1958
    Kenneth Martin, Alphabet 2, 1958
  • Mary Martin, Untitled, 1957, 1957
    Mary Martin, Untitled, 1957, 1957
  • Keith Vaughan, Grey Seated Figure, 1957
    Keith Vaughan, Grey Seated Figure, 1957
  • Terry Frost, Harbour Rhythm, 1952-54
    Terry Frost, Harbour Rhythm, 1952-54
  • Victor Pasmore, Relief Painting in White, Black and Maroon, 1952
    Victor Pasmore, Relief Painting in White, Black and Maroon, 1952
  • Mary Martin, Untitled ,950, 1950
    Mary Martin, Untitled ,950, 1950
  • Prunella Clough, Thames Landscape , 1949
    Prunella Clough, Thames Landscape , 1949
  • Prunella Clough, Red Mullet, 1948
    Prunella Clough, Red Mullet, 1948
  • John Craxton, Study for Reaper with a Mushroom , 1944
    John Craxton, Study for Reaper with a Mushroom , 1944
  • Ivon Hitchens, Autumn Brushwood, 1943
    Ivon Hitchens, Autumn Brushwood, 1943
  • Paul Nash, Orchard, Woods and Hills, Gloucestershire, 1943
    Paul Nash, Orchard, Woods and Hills, Gloucestershire, 1943
  • Cedric Morris, Portrait of Lucian Freud, 1940-45
    Cedric Morris, Portrait of Lucian Freud, 1940-45
  • John Tunnard, Flowers in a Jug, 1935
    John Tunnard, Flowers in a Jug, 1935
  • Abigail Norris, Untitled 3 (Psyche of Relation), 2026
    Abigail Norris, Untitled 3 (Psyche of Relation), 2026
  • James Rogers , Study for Figure in the boat at Shoreham-by-Sea. (Sketch for a public sculpture), 2026
    James Rogers , Study for Figure in the boat at Shoreham-by-Sea. (Sketch for a public sculpture), 2026
  • Chloe Barnes, The Keepers, 2024
    Chloe Barnes, The Keepers, 2024
  • Marcus Rees Roberts, Catalunya 25 , 2006-10
    Marcus Rees Roberts, Catalunya 25 , 2006-10
  • Bridget Riley, Untitled (Rothko Portfolio), 1973
    Bridget Riley, Untitled (Rothko Portfolio), 1973
  • Bridget Riley, Untitled (Oval Image), 1964
    Bridget Riley, Untitled (Oval Image), 1964
  • Victor Pasmore, Interior painting with girls
    Victor Pasmore, Interior painting with girls
  • Keith Vaughan, Assembly of Figures
    Keith Vaughan, Assembly of Figures
  • Keith Vaughan, Figure at Table with Bowl of Fruit
    Keith Vaughan, Figure at Table with Bowl of Fruit
  • WILLIAM KENTRIDGE, Unremember Me
    WILLIAM KENTRIDGE, Unremember Me
  • Richard Hamilton, Fashion Plate
    Richard Hamilton, Fashion Plate
  • Marcelle Hanselaar, La Petite Mort 16
    Marcelle Hanselaar, La Petite Mort 16
  • Chloe Barnes, Flower Study 3
    Chloe Barnes, Flower Study 3
  • Louise Bourgeois, Insomnia
    Louise Bourgeois, Insomnia
  • James Rogers, Stiff necks make the most barbaric of beasts, sometimes they turn their head for relief or rebellion (Stories of scars and stripes), 2021
    James Rogers, Stiff necks make the most barbaric of beasts, sometimes they turn their head for relief or rebellion (Stories of scars and stripes), 2021
  • Alexander Massouras, Paul was a gilder. (The Gilderbook 1), 2011
    Alexander Massouras, Paul was a gilder. (The Gilderbook 1), 2011
  • James Rogers, It’s relatively simple to train yourself into a perpetual motion machine, it just costs a head each time. (Pay per play and throw away), 2021
    James Rogers, It’s relatively simple to train yourself into a perpetual motion machine, it just costs a head each time. (Pay per play and throw away), 2021
  • Alexander Massouras, He loved the glint of gold. (The Gilderbook 2), 2011
    Alexander Massouras, He loved the glint of gold. (The Gilderbook 2), 2011
  • James Rogers, Harlequins exorcise their demons with clubs or tank shaped tutu dresses (either way they both end up being phallic), 2021
    James Rogers, Harlequins exorcise their demons with clubs or tank shaped tutu dresses (either way they both end up being phallic), 2021
  • Alexander Massouras, One day, Paul gilded all the picture frames in his house. (The Gilderbook 3), 2011
    Alexander Massouras, One day, Paul gilded all the picture frames in his house. (The Gilderbook 3), 2011
  • Alexander Massouras, It wasn’t quite right, so he gilded the walls too. (The Gilderbook 4) , 2011
    Alexander Massouras, It wasn’t quite right, so he gilded the walls too. (The Gilderbook 4) , 2011
  • Alexander Massouras, In the kitchen, he mused/ something was wrong. (The Gilderbook 5), 2011
    Alexander Massouras, In the kitchen, he mused/ something was wrong. (The Gilderbook 5), 2011
  • Alexander Massouras, So he gilded the table; (The Gilderbook 6), 2011
    Alexander Massouras, So he gilded the table; (The Gilderbook 6), 2011
  • James Rogers, And they never believed in the transformation of the ugly duckling happening without some sort of instability (tbf he was just about to fall off), 2021
    James Rogers, And they never believed in the transformation of the ugly duckling happening without some sort of instability (tbf he was just about to fall off), 2021
  • Alexander Massouras, the chairs; (The Gilderbook 7), 2011
    Alexander Massouras, the chairs; (The Gilderbook 7), 2011
  • Alexander Massouras, and then his parakeets, Myrtle and Mae (The Gilderbook 8), 2011
    Alexander Massouras, and then his parakeets, Myrtle and Mae (The Gilderbook 8), 2011
  • Alexander Massouras, Upstairs (and those were gilded too) (The Gilderbook 9), 2011
    Alexander Massouras, Upstairs (and those were gilded too) (The Gilderbook 9), 2011
  • Alexander Massouras, with much deftness, Paul gilded his bed to better dream of gold (The Gilderbook 10), 2011
    Alexander Massouras, with much deftness, Paul gilded his bed to better dream of gold (The Gilderbook 10), 2011
  • Alexander Massouras, The time came when Paul’s house was golden and shone like the sun (The Gilderbook 11), 2011
    Alexander Massouras, The time came when Paul’s house was golden and shone like the sun (The Gilderbook 11), 2011
  • Alexander Massouras, And then the doorbell rang. (The Gilderbook 12), 2011
    Alexander Massouras, And then the doorbell rang. (The Gilderbook 12), 2011
  • Alexander Massouras, Friends were calling and Paul felt immediately happy. (The Gilderbook 13), 2011
    Alexander Massouras, Friends were calling and Paul felt immediately happy. (The Gilderbook 13), 2011
  • Alexander Massouras, Together they set off. (The Gilderbook 14) , 2011
    Alexander Massouras, Together they set off. (The Gilderbook 14) , 2011
  • Alexander Massouras, And Paul soon forgot his golden house. (The Gilderbook 15), 2011
    Alexander Massouras, And Paul soon forgot his golden house. (The Gilderbook 15), 2011
  • Noticing things (Midlands 1)
    Alexander Massouras, Noticing things, (Midlands 1) , 2021-2016
  • Alexander Massouras, like similarities and differences. (Midlands 2) , 2021-2016
    Alexander Massouras, like similarities and differences. (Midlands 2) , 2021-2016
  • Alexander Massouras, Looking for things or finding bargains. (Midlands 3) , 2021-2016
    Alexander Massouras, Looking for things or finding bargains. (Midlands 3) , 2021-2016
  • Alexander Massouras, Hearing about the point where the world began. (Midlands 4) , 2021-2016
    Alexander Massouras, Hearing about the point where the world began. (Midlands 4) , 2021-2016
  • Alexander Massouras, We will come back to this. (Midlands 5) , 2021-2016
    Alexander Massouras, We will come back to this. (Midlands 5) , 2021-2016
  • Alexander Massouras, Wondering how things fall. ( Midlands 6), 2021-2016
    Alexander Massouras, Wondering how things fall. ( Midlands 6), 2021-2016
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