David Shrigley

Works
  • David Shrigley, Be yourself just be yourself, 2023
    Be yourself just be yourself, 2023
  • David Shrigley, Leap into the Void, 2023
    Leap into the Void, 2023
  • David Shrigley, The Biggest Hottest Chilli in the World, 2023
    The Biggest Hottest Chilli in the World, 2023
  • David Shrigley, The Plant Loves Me, 2023
    The Plant Loves Me, 2023
  • David Shrigley, Ignore the Ghosts, 2022
    Ignore the Ghosts, 2022
  • David Shrigley, Black Cats, 2021
    Black Cats, 2021
  • David Shrigley, Tiger Shit, 2021
    Tiger Shit, 2021
  • David Shrigley, A Gap In The Clouds, 2020
    A Gap In The Clouds, 2020
  • David Shrigley, Make Your Mark, 2020
    Make Your Mark, 2020
  • David Shrigley, Particles Of Truth, 2019
    Particles Of Truth, 2019
  • David Shrigley, The Moon, 2019
    The Moon, 2019
  • David Shrigley, Fucking Ace, 2018
    Fucking Ace, 2018
  • David Shrigley, Fucking Ace, 2018
    Fucking Ace, 2018
  • David Shrigley, Fucking Ace, 2009
    Fucking Ace, 2009
Biography

David Shrigley is a British visual artist renowned for his distinctive drawing style, dark humor, and deceptively simple works that explore the absurdities of everyday life. Born on September 17, 1968, in Macclesfield, Cheshire, England, Shrigley grew up in a relatively quiet environment that would later influence his observational approach to art. From an early age, he demonstrated a natural inclination toward drawing, often using humor and exaggeration to interpret the world around him.

Shrigley moved to Glasgow, Scotland, in 1988 to study environmental art at the Glasgow School of Art, graduating in 1991. The city of Glasgow became central to his identity as an artist, and he remained there for many years. During his time at art school, he developed the raw, unpolished drawing style that would become his trademark. Rather than focusing on technical perfection, Shrigley embraced awkwardness, uneven lines, and childlike simplicity, allowing the ideas and humor behind his work to take precedence over traditional artistic refinement.

In the early 1990s, Shrigley began exhibiting his work in galleries across the United Kingdom. His drawings, often rendered in black ink with handwritten captions, quickly gained attention for their unsettling yet comedic tone. His subject matter ranges widely, including animals, human behavior, social anxieties, existential dread, and mundane everyday situations. What distinguishes Shrigley’s work is his ability to blend humor with discomfort, prompting viewers to reflect on deeper psychological and social themes beneath the surface.

Although best known for his drawings, Shrigley’s practice extends across multiple media, including sculpture, animation, photography, painting, and installation. His animations, characterized by deliberately crude visuals and dry narration, further demonstrate his fascination with awkwardness and imperfection. He has also created public artworks, which often place his quirky sensibility in highly visible, formal contexts.

One of Shrigley’s most famous public works is Really Good (2016), a seven-meter-tall bronze sculpture of a hand giving a thumbs-up gesture, installed on the Fourth Plinth in Trafalgar Square in London. The sculpture, with its exaggerated proportions and optimistic title, humorously explored themes of positivity, sincerity, and public encouragement. It became one of the most widely recognized public artworks in the UK during its display and introduced his work to a broader audience beyond traditional gallery spaces.

Shrigley’s career has been marked by critical acclaim and international recognition. In 2013, he was shortlisted for the Turner Prize, one of the most prestigious contemporary art awards in the United Kingdom, for his exhibition Brain Activity at the Hayward Gallery in London. This exhibition brought together hundreds of his drawings, highlighting the breadth and consistency of his unique artistic voice. His work has also been exhibited in major museums and galleries worldwide, including institutions in New York, Paris, Tokyo, and Berlin.

A defining feature of Shrigley’s work is its accessibility. Unlike many contemporary artists whose work can feel distant or overly conceptual, Shrigley’s drawings communicate immediately and directly. His use of humor allows audiences to connect with his work on an emotional level, even when the underlying themes address anxiety, mortality, or the absurdity of human existence. His text-based drawings, in particular, combine visual simplicity with sharp, often ironic commentary.

In addition to his gallery work, Shrigley has published numerous books featuring collections of his drawings, further expanding his reach. His work has also appeared in magazines, album covers, and collaborations with musicians and designers. Despite his success, he has maintained a consistent artistic approach, resisting trends and continuing to prioritize authenticity and personal expression.

In 2020, Shrigley was appointed an Officer of the Order of the British Empire (OBE) in recognition of his contributions to visual arts. Today, he is widely regarded as one of the most influential British contemporary artists of his generation. His work continues to challenge conventional ideas about artistic skill, seriousness, and meaning, demonstrating that humor, simplicity, and imperfection can be powerful tools for exploring complex human experiences.

David Shrigley’s enduring impact lies in his ability to make people laugh, think, and feel simultaneously. Through his drawings, sculptures, and installations, he has created a body of work that is both deeply personal and universally relatable, securing his place as a defining voice in contemporary art.